Our conscious lives are only a miniscule part of our mental world.  Our mind has learned to adapt consciousness in accordance with an established paradigm that resides in a pre-conscious state.  Freud [1929] first identified a pre-consciousness as an area in the brain that stores information that can be recalled as opposed to the unconscious where information can not be known and consciousness where we make what is believed to be known decisions.  Our brain’s play tricks on us, but we can also play tricks on our brains.

    Let me give you an example from the research of the renowned neuroscientist V.S. Ramachandran who tells the story of how a patient after having his leg amputated was experiencing dreadful pain because his brain believed the leg was still present and badly injured.  When Ramachandran put a mirror next to the good let and told the man to look at the reflection in the mirror, what he saw was two legs, one real and one reflected.  The brain  interpreted the images as two good and very real legs and the pain subsequently ceased.[i]        

     What can we learn from Ramachandran’s mirror experiment?   Nothing can be changed from within an old paradigm we must change the paradigm, which in terms of the individual or whole communities requires a kind of rebranding.  We need to be able to trick the adaptive unconscious in much the same way ‘it’ attempts to trick our consciousness into thinking we have control over our decisions when almost everything we do is, in part at least, already scripted.    


[i]V.S. Ramachandran. Phantoms in the Brain.

Picture by Du Brae 2014.




Art by Yishkah

     Outsider art is not included in the general category of aesthetics because society has adopted a single minded approach to beauty and taste.  Some theorists have put this down to an adaptive unconscious, [i] or to put it differently our conscious mind is only the tip of the iceberg almost all of our feelings, decisions and behaviourisms are the product of information stored in the unconscious which constantly adapts our perspectives of the world.  Indeed, most people still view art as an accessory to their home furnishings and have tastes that are influenced by comfort and liveability; hence they often prefer the soft tones and lines of the classical product.  Historically, classical taste has been a way for the middle classes to demonstrate their entrepreneurial values against those of the upper classes, principally the aristocracy. The middle classes have always aspired to be like the upper classes and have expressed this by replicating their tastes.   The social class systems have a lot to answer for when it comes to the divisions in art.  Outsider Art, for instance was considered to be beyond normality a view that supposedly matched the people who created it. Taste, then is not a neutral phenomena.

      Taste is said to be an individual’s personal and cultural patterns of choice and preference.[ii]    Most of us subscribe to some form of taste that allows us to make distinctions between things we like and those we do not like or find inappropriate and distasteful.    Taste relates to most of our choices in life and it usually governs our actions, but taste is not just targeted towards ‘styles, manners, consumer goods and works of art’ [iii] taste is also about social protocol and rules.  We are taught from a very early age to obey the rules of taste so as not to offend anyone.    Social and cultural phenomena, or taste, are closely associated with the acquisition of power and social relations as well as the way in which we have all been conditioned to live within the prescribed normality.   This in turn can be linked to status, education and social origin.    Taste also relates to our mental status.  People with different abilities are likely to have different tastes as are people from different socio-economic levels.  In other words aesthetic preferences are governed by what we have been taught and believe, which in turn guides many of our life-world experiences. 

       The Outsider artist does not fall into the mainstream levels of taste because s/he abides by a different level of consciousness.   It is not the case that the artist has chosen to be  Outside the mainstream of society and its prescribed structuring; it is just the way it is.  If one takes the adaptive unconsciousness to be a reality then all logical conscious decisions are subject to adaptation by an unknowing pre-conditioning.  This makes understanding and accepting Outsider art very difficult for very many people.  We cannot simply offer a quick pill fix to alternative behaviour; albeit many have tried.       People often fear the unknown and the misunderstood qualities of the Outsider artist.  It is true also, that the Outsider artist might not be an easy person to deal with. Temperament plays a crucial part in all creativity.  What is not familiar and comfortable to the individual can impact on the senses in a negative way because it plays havoc with the established feelings and emotions – patterns that have been set in place since early infancy – or what the sociologist Pierre Bourdeau has called the habitus. [iv]  When the subject is so fixed into the habitus any change sends a warning to the brain that something is wrong whereby the fight or flight mode of operating will cause reaction and recoil.


[i]Timothy D. Wilson [2002] Strangers to Ourselves: Discovering the Adaptive Unconscious.The Belknap Presss of Harvard University Press Cambridge, Massachusetts and Londond England p107.



[iv]Bourdeau Habitus.

Picture by Louis Lament.

What is it to be human?

     According to Freud when the libido gets caught up with the ego, personality leads to narcissism, which has a stong correlation to fantasy and delusion. Narcissism evolves around extreme self-consciousness and a belief that life must be lived around one’s own desires [survival]. A normal part of psychosexual development is the overcoming of early childhood narcissism, but increasingly in today’s society we see strong elements of narcissism functioning as a major charisma, not just in individuals, but in the cultural temper that encourages competitives and ruthlessness in the capitalist markets. Narcisism is prevalent in art. The primal self or those components that are linked purely to ancient survival instincts are active in the most discursive and complex social systems to create impacts that are perplexing and harmful to species survival.

     Everyone has dreams that are linked to desires. ‘Both healthy dreams and unhealthy symptoms follow a similar logic when confronted with repression.’ Freud wrote a lot about the contents of dreams. Freud calls the dream we remember upon waking the ‘manifest dream’; this can be a reaction formation or a substitute formation that hides the secred thoughts and desires and creates a natural repression. ‘Repression, which Freud sometimes calls the ‘dream-censor’ in his discussion of dreams, is continually re-working the latent dream-thoughts, which are then forced to assume toned-down, distorted or even unrecognizable forms.’ Freud maintains ‘the two main ways that repression re-works the primitive impulses of the latent dream-thoughts is by way of condensation [1] or displacement [2].’

1] In condensation, multiple dream-thoughts are combined and amalgamated into a single element of the manifest dream; according to Freud, every situation in a dream seems to be put together out of two or more impressions or experiences.

2] In displacement, the affect [emotions] associated with threatening impulses are transferred elsewhere [displaced], so that, for example, apparently trivial elements in the manifest dream seem to cause extraordinary distress while ‘what was the essence of the dream-thoughts finds only passing and indistinct representation in the dream’. For Freud, ‘Displacement is the principle means used in the dream-distortion to which the dream-thoughts must submit under the influence of the censorship.]

     Freud gives us an inkling of how fantasies, in this case dreams, serve to offset the realities we do not wish to face in our daily lives; or perhaps those very real thoughts which might be so primitive and anti-social we are compelled to repress them.

     A lot of Freud’s ideas have been challenged, however, it is easy to see how many of the ‘condensations’ and ‘displacements’ have become so ingrained in what we take to be the ‘inherited human knowledge’ that they take on a life of their own by creating a symbolic order within which everyone is compelled to comply. Trying to fathom how this symbolic order activates human behaviour is no simple task. These rigid symbols hold idenitical meanings for all humans and they become codified into various insitutions and orders that we take as given, right, appropriate and normal, but are they normal? Or is it that they have been contrived over such a long period of time that we have forgotton what normal is? Is it normal to live our lives through mythologies, ceremonies, rituals, literatures, films, advertisings and consumerisms? Can we safely take pleasure in these modern idioms while at the same time distancing ourselves from the psychosexual and reflexive aspects?

      Freud writes about how in the ancient marriage ceremony of the Bedouins, the bridegroom covers the bride in a special cloak called an ‘aba’ and at the same time states the following ritual words: ‘Henceforth none save I shall cover thee! The statement is not straight forward it has multiple meanings and multiple implications. Are humans similarly covered by a semiology embedded into everyday language frames?

    Freud’s aim was to translate the manifest dream back into its constituent form to reveal the hidden thoughts. We do this today in a discipline called  psychotherapy which is said to include these same techniques for exposing and mitigating trauma. It cannot change the society, but it can change individuals who can then participate in social change. However, do people participate in social change?

     Freud’s form of interpretation of symptoms follows the goal of determining the repressed sexuality and/or traumatic events that cause abnormal fantasies and abarent behaviour, but not all fantasies are bad, many have a very useful purpose. There would be no great art or literature without fantasies so how do we sort the good from the bad?

     In a small volume called Self-Deception Unmasked Alfred R Male raises complex questions about the nature of belief and the structure of the human mind. Mele addresses four of the most crucial questions for understanding humanity.

1] What is it to deceive oneself?

2] How do we deceive ourselves?

3] Why do we deceive ourselves?

4] Is self-deception really possible?

     Mele breaks down the nature of self-deception into five chapters. Chapters 1 and 3 offer common forms of self-deception and puts social expectations at the forefront of self-deception, which makes the art of self-deception a highly rational organised action although the sub-text might be quite irrational. Another reason for self-deception is to avoid pain. In Chapter 4 the author goes on to show how the deceiver comes to believe his proposition. Chapter 5 recounts links to motivation and emotion.   How the emotions and pain play a crucial role in determining fantasy, delusion and the motivation to act on self-deception is revealed in numerous forms of creativity, especially Outsider Art. Only recently have we gained an appreciation for this genre and it has opened up a can or worms on what it is to be human.

What Do Artists Talk About?

                         Art by Yishkah

      The Buddhist philosophy suggests that all worldly existence is centered on pain and suffering and that the only way out of the pain and suffering is   detachment developed in individuals by practicing the art of meditation. This involves emptying the mind of runaway thoughts and controlling the breath, which in turn leads to a more tranquil state of mind, temporarily at least.   The desire for peace and harmony through meditation is not in itself a bad thing. Contemplation when it leads to creativity is a key to a fulfilling life.

   The arts are crucial components in human survival as demonstrated tacitly in the heroic legends and effigies Mesopotamia, Carthage and Pre-Hellenic Greece. Similar trends extended from China to North America through Mexico to the South Americas, the black African nations as well as forming the basis of the Indian Brahmanic Dharma and Asian Buddhism.  These were the works that expressed action and guided new realities. It would appear then that art is a good place to start in understanding the human psyche.    Liberating humanity from fantasies and delusions is not an easy proposition because the world we live in is engulfed in fantasies and many of these thoughts and feelings stem from our ancient past.   As the enlightened scientist Carl Sagan has pointed out we inhabit  A Demon Haunted World which holds more prominence in people’s lives than logical thinking.  This world of fantasy has become so very popular that some scholars, including Sagan refer to it as a pseudoscience, but maybe pseudoscience is just another word for creativity.  Every science has its counterpart in a pseudoscience and in some cases the science has come from the pseudo-sciences as in the practice of astronomy, which was born from ancient astrology.  Pseudoscience differs from erroneous science because as Sagan explains

Science thrives on error, cutting them away one by one.  False conclusions are drawn all the time, but they are drawn tentatively. Hypotheses are framed so they are capable of being disproved.   A succession of alternative hypotheses is confronted by experiment and observation. Science gropes and staggers towards improving understanding.[1]

     Pseudoscience depends on systems of faith, creeds, canons, discourses and practices that cannot be certified to be true and effective and which frequently act against any real understanding of ourselves and the world we live in.  It is nonetheless an area of creativity.   Pseudoscience still depends on myths and possibilities which become delusions when people start to see them as truth. On the other hand myths help us to map our lives.  Not all the aspects of mythologies are bad; myth makes great art and even more fascinating literature.  The fact is, fantasy continues to be more accepted by mass populations as the world become ever more complex.    So why should we strive to change this phenomenon?  The simple fact is, we don’t need to change the appeal of myths, we just need to put them into perspective.  Otherwise, there is the possibility of slipping back society   back into stagnation and the kind of life-world that resembles the Dark Ages.   It has happened before that great periods of Enlightenment have led into the depths of human despair.   In fact we might say that history is littered with light and dark periods that have had their greatest impacts on the poor and vulnerable. Generally speaking, people do not deal well with change.  The dark spaces are not a good environment, yet so many creative people are plagued by them.

 The most familiar period in history to be called the Dark Age is that describing a period in history during the Middle Ages, from approximately the 6th to the 13th Century and prior to the 14th Century Renaissance. Although there is no historically fixed boundary on the use of the term, in the Dark Ages there are some important lessons to be learned.   Its use, which usually refers to a cultural and economic decline that followed the ‘Fall of the Roman Empire’ resonates with many dark periods in modern history including the current 2013 economic decline.    All empires rise and fall and the world is currently experiencing the reconstitution of empires dismantled after the Second World War, but these empires have reached a hiatus.   Global empires have brought us a global economy, not such a bad thing, but it has also opened the door to abuse through poor regulation.  People are protesting the onset of doom and gloom with few gains and no resolution.

     The concept of a Dark Age originated with the Italian scholar Francesco Petrarca in the 1330s and was aimed at critiquing a decline in Latin literature; it then denoted a period of deep and ‘dark’ backwardness that was juxtaposed to the notion of ‘light’ and progress. As the time moved forward the Dark Ages came too include the excesses of theology, enforced piety, rigid laws, austerity and the persecution of dissidents and outsiders.  The Dark Ages is sometimes linked to corruptions in the church and state as well as highlighting the reduction of knowledge and opportunity within the mainstream society; moves that have generally suited the dominant interests.  

 Over the decades many an economic downturn has been described as a move towards the Dark Ages with the latest events linked to the 2008 global economic crisis which still, in 2013, has Europe and the United States in the grip of austerity measures and the tightening of social order.  In some quarters the Dark Ages is seen as a good thing because it encourages conservation and boosts a national impetus towards political  unification, this in turn aids business, but it divides the ‘haves’ and the ‘have nots’ across ever widening chasms.  Community becomes a key feature of the Dark Ages because it encourages like-mindedness. However, like-mindedness equates with fewer rights and a curb on population demands.   Like-mindedness can also be a state of inertia, repression and frustration.  This in turn can manifest social unrest and violence. The 2012 Occupy Movement is typical of the retort against government measures of   austerity and typical of a peoples’ revolution when there is nowhere else to go.   There is always a need for social order, but repression can be a major dilemma for any society.  Repression is a root cause of fantasy and delusion in individuals and this has repercussions for the entire social environment. Repression in psychoanalysis is the removal from consciousness of painful and disturbing experiences that leads to the deliberate suppression of any articulation required to deal with them. This scenario has its consequences.

       According to Sigmund Freud every element of life and death is tied up with psychosexual experiences.  The very act of entering into civilised society entails the repression of various archaic and primitive desires. Freud maintained that each person’s psychosexual development is based on surpassing the previous ‘love-objects’ or ‘object-cathexes’ that are inherent in the first sexual phases of child development, this includes the oral phase and the anal-sadistic phase; [food and excretia]  however, even well-adjusted individuals still harbor those hidden forces which become manifest in primal desires.   We see these elements portrayed in dreams, art and literature; or what Freud referred to as slips of the tongue [parapraxes].    also known as the ‘return of the repressed.’[1]  ‘In less well-adjusted individuals, who remain fixated on early libido objects or who are driven to abnormal reaction formations  or substitute formations, two possibilities exist:’[2]

1]     Perversion, in which case the individual completely accepts and pursues his or her desire for alternative sexual objects and situations [sodomists, sado-masochists, etc.];

2]     Neurosis, in which case the same prohibited desires may still be functioning, but some repression is forcing the ‘repudiated libidinal trends’ to get ‘their way by certain roundabout paths, though not, it is true, without taking the objection into account by submitting to some distortions and mitigations.’ [3]

       For Freud repression is a normal part of human development; indeed, the analysis of dreams, literature, jokes, and ‘Freudian slips’ demonstrates the ways in which our hidden desires continue to find outlets in perfectly well-adjusted individuals.   However, when we are faced with obstacles [to the satisfaction of our libido’s  cathexis] we may experience traumatic events, or when we remain fixated on earlier phases of our development, the conflict between the  libido and the ego [instinct and reality] or between the ego  and the superego [the moral self] this can lead to alternative sexual behaviours.[4] In other words most aberrations are rooted in trauma.

 [1]Carl Sagan [1997] The Demon Haunted World. N.Y. Ballantine Books, p20.

[2] Felluga, Dino. “Modules on Freud: On the Unconscious.” Introductory Guide to Critical Theory  Purdue University. . Retrieved 12th May 2013.

[3] Ibid.

[4] Ibid.  See  Freud. Introductory Lectures 16.350  


[5]  The Id, ego and super-ego are the three parts of the psychic apparatus defined in Sigmund Freud’sstructural model of the psyche; they are the three theoretical constructs in terms of whose activity and interaction mental life is described. According to this model of the psyche, the id is the set of uncoordinated instinctual trends; the super-ego plays the critical and moralizing role; and the ego is the organized, realistic part that mediates between the desires of the id and the super-ego.[1] The super-ego can stop you from doing certain things that your id may want you to do.[2]  “The Super-ego of Freud. and  Retrieved 12th May 2013.




Country Well Being Or Communal Autarky?



              Art  by Yishkah


Breaking the Myth of Well Being in Country Areas. 

       A study by D J Harvey and the Department of Social Work and Community Welfare at the James Cook University in Queensland [2007] explored the well accepted notion that there was very little difference between the well being of country women and their urban sisters.  In the context of drought and tough economic times, there have been ideas to the contrary.   Indeed, there have been a number of indications that Australian women living outside metropolitan areas might have a heightened risk of mental health problems and mental disorders due to a range of factors specifically related to rural living. These conditions include ‘isolation, economic restructuring, climate extremes and distance from services’. The research is sketchy to say the least.  Womens’ Health Australia found that although women in rural areas experienced a similar number of stressful events, they were less stressed by them than urban women’[1].  Harvey’s study suggested that this was due to a ‘gendered rural identity’.   Rural women coped better with life’s difficulties because they were conditioned into seeing themselves as rural and therefore better able to cope.   Harvey’s study revealed that most rural women had the view that they were physically and mentally strong and resilient simply because of their identity.

The fact is these women fulfil their roles because ‘identity’ means they are stereotyped and thus afforded limited options.  Implicit in the view of stereotyping is the notion that all women in country areas are the same and many are willing to succumb to some form of unwanted oppression.  Or, alternatively they can negotiate their way around it. This might be true, but is it good for well being?

Well being obviously varies according to age, socio-economic status, ethnicity, education and more.   Nonetheless, whole populations tend to put the realities aside and become beguiled by the imagery of what life in the country should be like rather than the way it is.   This is helped by media advertising and programmes such as McCloud’s Daughters, which portrays the rural setting as healthy and a wonderful adventure. Even when somebody dies there is a heightened level of excitement. Selling the stock to pay for the funeral while the body is still warm pumps the heart just that little bit faster.   It makes for good entertainment. However, let us not forget that entertainment plays on the emotions it has nothing to do with reasoned judgement.

In all honesty, how many city women would want half their arm stuck up the rear end of a cow?  How many would replace their Chanel No 5 perfume for the smell of the silage that hangs putrid in the air night after night?  How many would relish the idea of having to hose the cow dun from dairy walls so it covers their boots and clothing and gets into their hair?  Whoever called this ‘well being’ needs to seriously question their interpretation of the word; such activities might be necessary for job survival,  but they are certainly not a good definition of ‘well being’.   Nor are they particularly conducive to good physical or mental health.

If city folks knew how many chemicals got dumped on the land and how many get into their food chain they might think twice about what they eat. Notwithstanding, farmers handle these chemicals daily and we do not really know how they impact on health and well being.  Cancer rates are high, so too is depression a reality, albeit more hidden in country areas than anywhere else.  Maintaining the country traditions often means living with shame if something happens to make the circumstances of living different.

Environmentalists are fast becoming aware of a farming industry that is not ‘quant’ but ‘cruel’.  Do city people know that farmers still cut the tails off their dairy cows?  Do city people ever see a young calf wrenched from its mother straight after birth in order to preserve the milk for commercial consumption?  I am loathed to think that these event do not impact on the state of mind of the farmer.   After all, is an abattoir very different from a war zone?  Could it be that the number of boys who leave the farms and go into the military do so because killing appears familiar.  This might be drawing a long bow,  but the unconscious traits are not always obvious.

As a therapist and social researcher living between Melbourne and a small country town I would suggest that the term ‘well being’ is understood differently by different groups.  In Melbourne for example, well being means having a good education and experiencing a wide variety of social and cultural events, thus being able to gain a comprehensive understanding of the world we live in. This is not always the case, money and parental influences play a big part in peoples’ futures.   In Melbourne there are still the left-over elements of feminism that afforded women [rightly or wrongly] the idea that they have some rights.  In stark contrast many country areas are extremely patriarchal and women have no rights, nor do they articulate any desire for them.  Many women seem to think they can rule the roost with their sexuality or by the nature of them being hard working free labour.

Domestic violence and child abuse are often rampant in country areas, as many older generation members do not understand the harm it causes.  It is often a case of do unto your children what was done to you.   There is the lack of mandatory reporting because in small communities everyone knows everyone and there would be revenge.

Country men and women  are often poorly educated so they live with the fear of being turfed off the farm, not simply because of the loss of lifestyle, but because they feel incapable of doing anything else.   Women rarely inherit the farm because most are protected by family trusts which favour men.   This situation is exacerbated by a lot of inbreeding, nepotism and multiple relationships that prevent women from extending their aspirations and opportunities outside of the environment.

With all of these factors in mind, country women do appear to be formidably resilient because they have learned to make do and they see no other way out.   Moreover, they extol the perceived virtues of this lifestyle because to deny them would end in misery.   It is usually much easier to live with a fantasy than bear the hardships of the truth.  Women can believe they are happy because they have known nothing else.

If the same phenomenal lifestyle where attributed to a cult people would be very worried and want to do something to create change for the victims.   We would say these people are living in a state of mind control not as individuals in a position of full consciousness.

Think about it; any attempt to confront members of cults with the inconsistencies of their beliefs fall on deaf ears and in this respect closed country communities share these same dynamics.  They are reluctant to change. Feudalism in country areas still exists.   Power lies with an elite and the rest do what is expected of them.    This is extremely damaging to mental health and well being because it takes years of therapy or self-help to turn these deeply embedded emotional problems into self-determination and reasoned judgement. Reasoned judgement doesn’t happen in closed communities, it happens amidst a diversity of ideas.

While Harvey’s study is limited the findings suggest that the stereotyping of country womens’ resilience might actually be damaging to their health[2]  Harvey writes:

‘The studies…reveal that women have voiced resistance to expectations that they can cope with whatever comes along without adequate support. However, it is not clear how women negotiate rural identity and the broader social, cultural and physical environment in which they live, in order to achieve health and well being… the findings of this study exhibit a tension to belonging to a close knit rural community and the experience of social and geographical isolation. The study also found a tension between a strong gendered rural identity that fosters a culture of stoicism and self-reliance and feelings of resistance to societal expectations of coping with adversity.  …It is necessary to move beyond stereotype views of women and simplistic notions of rurality to explore the social, cultural, economic and geographical factors, which shape womens’ experiences of health and well being’[3].

      Cultural change requires careful social planning. It means challenging old ways and old hierarchies.  It should be mandatory for government departments, including schools to employ staff from other cultures and groups from outside the area.  Ethics and rights should be properly legislated and multiple relationships within statutory agencies outlawed. Small town camaraderie is not a good thing it amounts to communal autarky and the oppression of women.  It is certainly not a good situation for well being. Notwithstanding all of the above, living in country areas can be amazing in terms of space, beauty and the diversity of wildlife.  In addition as the cities are getting beyond their carrying capacity the country environment is gaining new blood and changing.

The importance of public space.



Art  by Yishkah

I was moved by a recent article by Henry A. Giroux in Truth-out. He writes passionately about the failing democracies, while at the same time injecting some hope for the perceived powerless global masses. He writes:

‘If democratic agents are in short supply, so is the formative culture that is necessary to create them – revealing a cultural apparatus that is more than an economic entity or industry. It is also a public pedagogy machine – an all-embracing totality of educational sites that produces particular narratives about the world, what it means to be a citizen and what role education will play in a powerful and unchecked military-industrial-security-surveillance state’.

Awareness of the military state is growing. However, along with the awareness there is anger and urgency and the risks associated with expressing discontent are also growing. Communications in protest need to be as discursive as those in capitalist consumption. There is much to be learned from past protests that can be applied to today’s technologies.

Giroux quotes Stanley Aronowitz saying he is right in arguing that:

‘[The] social character has become entwined with communications technology. … This intricate interlock between cultural institutions, political power and everyday life constitutes a new moment of history. It has become the primary machinery of domination. And a central aspect of domination is the abrogation of concept that we can know the totality, but are condemned to understand the division of the world as a series of specializations. Thus, the well-known fragmentation of social life is both a result of the re-arrangement of social space and the modes by which knowledge is produced, disseminated and ingested. The cultural apparatus is largely responsible for the intellectual darkness that has enveloped us’.

Outsider Art to my mind represents the counter revolution in the ‘re-arrangement of social space’.  A reclamation if you like!  There are still more freedoms in artistic expression than there are in the press or publishing.    As the institutions of learning become plagued with techno-military priorities and the concern for cash, Outsider Art becomes the new platform for social dissent.

Artists Need Natural Environments: Save Gippsland’s Wetlands.


Wild bird. Art by Yishkah

Artists for the Environment.

Save Our Wetlands?

The Victorian State Government has released new regulations[1] that water down the rules protecting Victorian habitats from clearing, these include

Make clearing native vegetation easier and quicker (as opposed to the current situation where vegetation clearance is a last resort).

Largely remove the need for professional on-site flora and fauna assessments before clearing, replacing them with computer models.

Create a ‘cash for clearing’ system, which means that the bulk (approximately 90%) of applications to clear will simply require a fee to be paid before clearing.[2]  


The major benefactor of these new   regulations will be the fossil fuels industries.

 There is a lot at stake, Gippsland has internationally renowned   wetlands.  The Lakes, rivers and   marshes of Gippsland are teemed with wildlife and provide an abundance of   food and habitat for birds, fish and invertebrates.

Wetlands prevent flooding by holding water much   like a sponge. By doing so, wetlands help keep river levels normal and filter   and purify the surface water.

Wetlands accept water during storms and whenever   water levels are high. When water levels are low, wetlands slowly release   water.

Wetlands also release   vegetative matter into rivers, which helps feed fish in the rivers. Wetlands   help to counter balance the human effect on rivers by rejuvenating them and   surrounding ecosystems.

Many animals that live in other habitats use   wetlands for migration or reproduction. For example, herons nest in large old   trees, but need shallow areas in order to wade for fish and aquatic life.   Amphibians often forage in upland areas but return to the water to mate and   reproduce.

While wetlands are truly unique,   they must not be thought of as isolated and independent habitat. To the   contrary, wetlands are vital to the health of all other biomass and to wildlife and humans everywhere.

Unlike most other habitats,  wetlands directly improve other ecosystems. Because of its many cleansing   benefits, wetlands have been compared to kidneys. The analogy is good one.   Wetlands and kidneys both help control water flow and cleanse the system.

Wetlands also clean the water   by filtering out sedimentation, decomposing vegetative matter and converting   chemicals into usable form.

The ability of wetlands to recycle nutrients   makes them critical in the overall functioning of earth. No other ecosystem   is as productive, nor as unique in this conversion process[…][3]

Gippsland’s Wetlands Wildlife.

Australasian Bittern Darter Laughing Kookaburra Sacred ibis
Australasian Grebe Drown Goshawk Little Bittern Sacred Kingfisher
Australasian Shoveler Dusky Moorhen Little Black Cormorant Satin Flycatcher
Australian Hobby Dusky Woodswallow Little Eagle Scarlet Robin
Australian Kestrel Eastern Rosella Little Egret Sharp-tailed Sandpiper
Australian Magpie Eastern Spinebill Little Grassbird Shining Bronze-Cuckoo
Australian Magpie Lark Eastern Yellow Robin Little Pied Cormorant Silver Gull
Australian Pelican Eurasian Coot Magpie Goose Silvereye
Australian Raven Eurasian Tree Sparrow Maned Duck Southern Boobook
Australian Shelduck European Goldfinch Marsh Harrier Spotted Turtle-Dove
Azure Kingfisher European Greenfinch Masked Lapwing Straw-necked Ibis
Baillon’s Crake Fan-tailed Cuckoo Mistletoebird Striated Pardalote
Barn Owl Feral Pigeon Musk Duck Striated Thornbill
Black Swan Flame Robin Musk Lorikeet Stubble Quail
Black-faced Cuckoo-shrike Glossy ibis New 1-lolland Honeyeater Sulphur-crested Cockatoo
Black-fronted Plover Golden Whistler Noisy Miner Superb Fairy-wren
Black-shouldered Kite Golden-headed Cisticola Pacific Black Duck Tawny Frogtnouth
Black-winged Stilt Great Cormorant Pacific Heron Tree Martin
Blue-billed Duck Great Crested Grebe Painted Snipe Varied Sittella
Brown Falcon Great Egret Pallid Cuckoo Weebill
Brown Quail Greenshank Peaceful Dove Welcome Swallow
Brown Thornbill Grey Butcherbird Peregrine Falcon Whiskered Tern
Buff-banded Rail Grey Currawong Pied Cormorant Whistling Kite
Cape Barren Goose Grey Fantail Pied Currawong White-bellied Sea-Eagle
Cattle Egret Grey Shrike-thrusli Pink-eared Duck White-browed Scrubwren
Chestnut Teal Grey Teal Purple Swamphen
Clamorous Reed Warbler Hardhead Rainbow Lorikeet WHoneyeaterhite-eared Honeyeater
Collared Sparrowhawk Hoary-headed Grebe Red Wattlebird White-faced Heron
Common Blackbird House Sparrow Red-browed Firetail White-fronted Chat
Common Myna Intermediate Egret Red-capped Plover White-throated Needletail
Common Skylark Latliams Snipe Red-necked Stint Willie Wagtail
Common Starling Richard’s Pipit Ye I low-billed Spoonbill
Crescent Honeyeater Royal Spoonbill YeIlow-rumped Thornbill
Crimson Rosella Rufous Night heron Yellow Thornbill
Rufous Whistler Yellow-faced White-browed Woodswallows








Common Blue-tongued Lizard Common Froglet
Common Long-necked Tortoise Green and Golden Grass Frog
Delicate Skink Peron’s Tree Frog
Garden Skink Southern Brown Tree Frog
Grass Skink Spotted Marsh Frog
Lowland Copperhead Striped Marsh Frog
Red-bellied Black Snake Verreauxs Tree Frog
Tiger Snake


Flora Noted at the Sale Wetlands
Austral crane’s-bill Common centauty Jimmy’s shining peppermint Silver wattle
Bangalay Downy dodder-laurel Lightwood Small loosestrife
Birchwood Drooping mistletoe Long-flower mistletoe Spike wattle
Black wattle Dwarf mallow Manna gum Spreading waffle
Burgan Early black wattle Musky heron’s-bill Swamp paperbark
Carolina mallow Forest red gum Prickly tea-free Swamp gum
Centaury Golden spray Red inulfoil Sweet wattle
Cinquefoil Grassland crane’s-bill River red gum Yertchuk
Coast manna gum Heath tea-free Running marsh flower Wooly tea-bee
Coast wattle Hedge wattle Salt lawrencia Yellow box
Common boobialla Hop goodenia Shiny swamp mat White clover Narrow-leaf vetch

Courtesy   of the Victorian National Parks Association.








[3] Ibid.

Art from Gippsland’s Smallest Gallery.

Art by Yishkah

These are exciting times. In June I made the commitment to open up my studio to the public and allow other local artists to share the exhibition space. This turned into a whole new project; The Smallest Gallery in Gippsland.  The response has been encouraging.  

Australia can boast some of the most beautiful environments in the world, many with fragile eco-systems, eroding coastlines, depleted forests and ongoing threats to unique and significant species.  Australia is home to more than one million species, many of which are found nowhere else in the world. About 85% of the continent’s flowering plants, 84% of mammals, more than 45% of birds and 89% of inshore, temperate-zone fish are unique to Australia; in other words they cannot be found in any other region .  The consistent encroachment of industrialisation, particularly from mining and its concomitant export traffic puts Australia’s natural environment at severe risk.    Already, much of the damage done to Australia’s biodiversity is irreversible.

Australia has an increasing number of fragile eco-systems in need of protection.    Eco-system is a term that describes the complex interactions that plants and animals have with each other and such elements as soil, water, climate and escarpment.  A variety of damaging processes are contributing to the decline in native species, these include fires, invasive plants, loss of habitat and diseases.  Almost all the disturbances are caused by human activities.    The clearing of vegetation isolates plant populations and wildlife colonies. Small areas of habitat can only support species for short periods and their presence adds to the loss of biodiversity causing a never-ending destructive circle.    Marine and estuarine habitats are increasingly damaged by seepage from agriculture and intense industrial developments. The pollution of habitat comes from herbicides, pesticides, fertilisers, sewage, oil, industrial effluent, the logging of forests, the compacting of land and the dredging of waterways.    Australian State and Federal laws have allowed for some monitoring of pollution and the establishment of green corridors, but increasingly the concerns about damages have given way to economic imperatives and the introduction of new and more harmful industries such as deep water drilling for oil and unconventional gas extractions.  Added to this, between 2009 and 2010 Australia doubled its coal exports to China [ /exports.html‎].  This has resulted in more open cut coal mines.

A Legacy of Environment Destruction and its Continuum.

It is over the 200 years since European settlement and the extensive clearing of native vegetation for development.   The damage has not ceased. Human activity and natural events such as fire, drought and flood continue to change Australia’s delicate eco-systems.   Such change affects the interactions within ecological communities and reduces diversity; this in turn threatens the survival of many existing native species.

Since settlement hundreds of species unique to Australia have become extinct; ‘including at least 50 bird and mammal, 4 frog and more than 60 plant species’. We will probably never know exactly what has been lost while many current species are still being threatened.  More than 310 species of native animals and over 1180 species of native plants have being marked by the Australian Government as being at risk of disappearing forever [ …]

Australia’s natural areas have unique values that need to be conserved and restored for future generations. Australia’s natural environments also have immense aesthetic and cultural values which attract millions of tourists and add to the economy.  Many of these environments are integral parts of the traditional culture of Australia’s Aboriginal peoples.

Conservation of our biological diversity is important because it not only helps to provide clean air and water it also bears heavily on the mental and physical health of the nation.

The Role of Art in Environment Protection.

From time immemorial people have sought to transform their environments.  In the Stone Age tools were crafted from flints, bones and rocks and colourful pigments were sourced from plant life to create primitive drawings on cave walls.  Nature provided the context for shapes, dimensions, intricate patterns and structures that helped in recording our natural history.  Since the beginning of time there has always been an inextricable link between artists and the environment as each generation would strive to better understand their colourful world.

Amidst the profoundly changing societies, natural disasters and man made wars groups of artists and artisans have joined together to portray the social setting and to make predictions about the future.   The Chinese portrayed society on parchments that are still used today to interpret Chinese history and philosophy.   The Greeks built a vast and magnanimous Parthenon to their goddess and a Polis leading to distinct divisions between citizens and slaves.  The Romans added to these ideas turning primitive labyrinths made from stones into sophisticated cities with technologies that have been copied and reshaped throughout the centuries.   That many of these ancient creations     have been recreated in society today is testament to the endurance of the artist as journalist and inventor. They demonstrate the profound influence artists have had on the history of ideas and their place in the eternal universe.

Today, artists are responding to different cultural needs and developing active and practical roles in environmental and social issues.  It is within this context that mass movements have arisen around the world to answer the call on protecting the planet. Artists for the Environment  takes pride in being a part of this consciousness raising community.











Living Stardust.

Art by Yishkah

 Last night,        

 I saw the realm of joy and pleasure.        

 There I melted like salt;       

  no religion, no blasphemy,       

  no conviction or uncertainty remained.        

  In the middle of my heart,        

  a star appeared,        

  and the seven heavens were lost in its brilliance.  Rumi.

In the words of physicist Lawrence Kraus, we all come from star dust. What this means is the very same components that give rise to stars and planets have also given rise to humans and all other life forms. 

 I have always been fascinated by the intuitive urges that cause people to refer to such ephemeral things as star dust.  Where does star dust sit in the unconscious?

All religion appears to have a place in the unconscious.  The power of belief contributes to human survival.  It helps us deal with anxieties and traumas and it gives hope and joy to many aspects of life. The reverse is also true; belief can be very destructive; much like the life and death of a star.  

 I am excited that science is now recognizing these very human yet mysterious traits as part of a universal pattern of cosmic evolution. I am excited by the idea that our world may just be a hologram, a beamed image from the out universe where all knowledge is gathered possibly around the circumference of black holes. 

I am longing to know more about dark energy and whether it can have a correlation to the dark unconscious that Sigmund Freud described so many decades ago. Knowledge is the ‘realm of joy and pleasure’.

 If you want to know more about the cosmos go to  if you want to know more about the mind  keep reading the posts on this blog.